Le Giornate del Cinema Muto / Pordenone Silent Film Festival
30th Edition (1–8 October 2011)
Tweets by @RetoKromer during the festival
- Many of my former students are here in Pordenone! Give me a sign… and we’ll have a drink together.
- Today’s programme starts with the race to the Pole… and the weather forecast says 29 oC in the afternoon!
- «… e la serpe si destò, tremenda, dal suo terpore.» ~ Francesca Bertini plays La serpe’s role. Film by Roberto Roberti, Italy 1920.
- Green tinting is used for envy in Il veleno delle parole, an Italian 1913 film by Baldassarre Negroni with Francesca Bertini.
- Nice restoration of Roald Amundsens Sydpolsferd (1910–1912), included in Unesco’s Memory of the World Register:
- Fascinating again and again! The Corrick Collection from Australia. Today some films showing the Engadine valley in Switzerland.
- The Swiss images coming form (France via) Australia:
- The database of the «Progetto Turconi Project» has been presented today at noon and is now available on-line:
- The analogue frame’s edge is a little undefined; the digital frame’s edge is sharp cut. How does this affect the perception?
- Had a very interesting talk at breakfast with Touve Ratovondrahety about «restoration» of silent film music scores.
- Working with a digital intermediate on historic tinted and/or toned films needs a special adapted LUT to match the colours properly.
- If the digitalisation has been done with 16 bit linear, don’t make the digital restoration assuming the files are 10 bit logarithmic…
- Had lunch with Juan Vrijs, head of preservation at Haghefilm, after the Collegium session about the state of the art in restoration.
- Maud Nelissen had the inspiring opportunity to re-evaluate and revise her 2003 score for Shinel (The Overcoat). Well done indeed!
- An exceptional discover for me yesterday: Oblomok imperii (A Fragment on an Empire) by Fridrikh Ermler (Soviet Union, 1929).
- This morning the 2nd programme of The Corrick Collection. Ohé! Ohé! Rémouleur (Pathé 1906) with a lovely black and white image!
- In order to take action film registries should contain the list of all existing elements with their locations and condition reports.
- The original iron toning of Excursion aux Chutes du Niagara (Pathé, FR 1906) has been brightly reproduced in the new access copy!
- Have you noticed the «handsome» stigmata left by the early contact printer used for San Francisco (Biograph, US 1906)?
- Strange camera movement in San Francisco Disaster (Edison, US 1906): right-left stops briefly for an intermission down-up-down.
- Sorry, this morning I was in Gemona with a distinguished party. Visiting the new vaults and the office of the Cineteca del Friuli.
- A living way to present Sven A:son Berglund’s optical sound recordings (at 22 fps). Thanks Svenska Filminstutet for this!
- Thank you silent film fans @filmpres @sergiomaistrello @silenttoronto @veilletteTO and @eltubaro for RT at #gcm30 #FF ~ Most appreciated!
- Yesterday at dinner with Jon Wengström we talked also about Berglund’s optical sound recordings. Sorry, I’m a tech freak:
- Hint for my (former) students: Take a look at Verdi’s last balcony! It’s really a terrific terrifying example of lacking security.
- Gorgeous use of tinting and/or toning in Cenere (IT 1917) and Maddalena Ferat (IT 1921) by Febo Mari. E.g. red for danger.
- Please, don’t unwind sticky films! First you must dry and unblock the reel. After you can unwind without damaging the emulsion.
- Wonderful music accompaniment for the mysterious Borderline:
Film needs additional research (Roland Cosandey).
- Glad to have seen the preserved part of The White Shadow «by» Alfred Hitchcock. Hoping the missing half will also be found soon.
- This afternoon 3rd part of «The Race to the Pole» with the impressive South… and a temperature more in conformity with the plot.
- Re-seen South, and in my opinion the scenes showing the Endurance slowly being crushed by the ice are the most impressive ever.
- Thanks @eltubaro for the daily galleries of pictures from #gcm30
(with a special thought @Posespops ;-)
- Alas, it’s over: «Corse il tempo. […]» is an intertitle I read in Cenere on Friday. See you all again next year here in Pordenone!
- I guess this is the 1st and «better» end: Letty kills also Lige, thinking it’s again Roddy coming – and she disappears in The Wind.
- I’m afraid, in my opinion the music for The Wind was in general to bombastic, the storm really overdone and especially too loud.
- GRAZIE ~ Many thanks to the organisers, staff & volunteers! Many thanks to the pianists & musicians! Many thank to the audience!
- This isn’t a #FF but a #FollowAllYear ~ Thank you @eltubaro @PordenoneSilent @silenttoronto (= afraid not meeting you IRL) for RT at #gcm30
Additional tweets by @retoch after the festival