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Home, Sweet Home
Hey, man! You look like an old version of Harry Potter.
Dun Carloway (Lewis) is the best-preserved broch in the Western Isles,
About me in the third person
Reto Kromer was born in 1963 and is not dead yet. Having graduated in mathematics and computer science, he became involved in audio-visual conservation and restoration as early as 1986.
Since 2004 he has been running his own preservation company, AV Preservation by reto.ch, providing comprehensive services that encompass the whole range of moving image preservation. Previously he was head of preservation at the Cinémathèque suisse (the Swiss National Film Archive), in charge of cataloguing, conservation and restoration of the film collection, from 1998 to 2003.
He has been a lecturer at the Bern University of Applied Sciences since 2002, at the Academy of Fine Arts Vienna since 2011 and at the Elías Querejeta Zine Eskola in Donostia (San Sebastián) since 2019. He was also a lecturer at the University of Lausanne from 2007 to 2015. His courses cover the conservation and restoration not only of audio-visual content but also audio-visual carriers, usually with a focus on technical issues and motion picture film. His current research and the research projects he is leading are mainly focussed in the digital domain and includes colour spaces, look-up tables and codec programming and emulation, as well as methods to also restore actual files and the so-called raw data they hold.
He was a director of the board for the Association of Moving Image Archivists (AMIA) for two terms, from 2012 to 2016, and he served as a board member of the Albanian Cinema Project (ACP) from 2012 to 2017.
In 2019 one of the inaugural Joint Technical Symposium (JTS) Awards was presented to him “for extraordinary contributions to the technology of the audiovisual archiving field.” In 2023 the SouthEast Asia-Pacific AudioVisual Archive Association (SEAPAVAA) Fellow’s Circle conferred to him a Fellowship Award.
From Twitter to Bluesky (and Mastodon)
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