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Autres sujets

Table des matières

• Archives
• Droit suisse
• Chimie
• Nitrate
• Prévention
• Supports magnétiques
• Supports optiques
• Techniques numériques
• Théorie

Archives

• Valérie Vignaux (éd.): Archives (= «1895» (Paris), n. 41, octobre 2003). ISSN 0769-0959, ISBN 2-913758-41-X
• Gian Piero Brunetta (a cura di): Storia del cinema mondiale, vol. 5 (Teorie, strumenti, memorie), Einaudi, Torino 2001. ISBN 88-06-15388-9
• Paolo Cherchi Usai: Silent Cinema. An Introduction, BFI, London 2000. ISBN 0-85170-746-7
• Michel Serceau, Philippe Roger (éd.): Les Archives du cinéma et de la télévision (= «CinémAction» (Paris), n. 97, 4^ème trimestre 2000). ISBN 2-85480-996-3
• Ted Ling: Solid, Safe, Secure. Building Archives Repositories in Australia, National Archives of Australia, Canberra [1998]. ISBN 0-642-34403-5

Droit suisse

• François Dessemontet: Le droit d’auteur, CEDIDAC (Université de Lausanne), Lausanne 1999. ISBN 2-88197-038-9

Chimie

• Michel Fontanille, Yves Gnanou: Chimie et physico-chimie des polymères, Dunod, Paris 2002. ISBN 2-10-003982-2
• John S. Mills, Raymond White: The Organic Chemistry of Museum Objects. Second Edition, Butterworth-Heinemann, Oxford 1999. ISBN 0-7506-4693-4
• Charles Velson Horie: Materials for Conservation. Organic consolidants, adhesives and coatings, Butterworth-Heinemann, Oxford 1987. ISBN 0-7506-0881-1

Nitrate

• Roger Smither (Ed.): This Film Is Dangerous. A Celebration of Nitrate Film, FIAF, Bruxelles 2002. ISBN 2-9600296-0-7

Prévention

• Johanna Wellheiser, Jude Scott: An Ounce of Prevention. Integrated Disaster Planning for Archives, Libraries and Record Centres. Second Edition, Scarecrow Press, Lanham 2002. ISBN 0-8108-4176-2

Supports magnétiques

• Friedrich Engel, Gerhard Kuper, Frank Bell: Zeitgeschichten. Magnetbandtechnik als Kulturträger. Erfinder-Biographien und Erfindungen (= Weltwunder der Kinematographie. Beiträge zu einer Kulturgeschichte der Filmtechnik, Nr. 9), Polzer, Potsdam 2008. ISBN 3-934535-27-5
• Jean-Louis Bigourdan, James M. Reilly, Karen Santoro, Gene Salesin: The Preservation of Magnetic Tape Collections. A Prespective, Image Permanence Institute, Rochester NY 2006
  Web: https://www.imagepermanenceinstitute.org/webfm_send/303
• Videotape Identification and Assessment Guide, Texas Commission on the Arts, 2004
  Web: www.arts.state.tx.us/video/
• John W. C. Van Bogart: Magnetic Tape Storage and Handling. A Guide for Libraries and Archives, Commission on Preservation and Access, Washington DC; National Media Laboratory, St. Paul MN June 1995. ISBN 1-887334-40-8
  Web: www.clir.org/pubs/reports/pub54/index.html

Supports optiques

• Fred R. Byers: Care and Handling of CDs and DVDs. A Guide for Librarians and Archivists, National Institute of Standards and Technology, Gaithersburg MD 2003. ISBN 1-932326-04-9
  Web: www.clir.org/pubs/abstract/pub121abst.html

Techniques numériques

• The Digital Dilemma 2. Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, Academy of Motion Picture Arts and Siences, Hollywood CA 2012. ISBN 978-0-9840150-2-3
  Web: www.oscars.org/science-technology/council/projects/digitaldilemma2/
• Long-Term Management and Storage of Digital Motion Picture Materials. A Digital Motion Picture Framework Project Case Study, Academy of Motion Picture Arts and Siences, Hollywood CA 2010. ISBN 978-0-615-39095-6
• Giovanna Fossati: From Grain to Pixel. The Archival Life of Film in Transition, Amsterdam University Press, Amsterdam 2009. ISBN 978-90-8964-139-7
• The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials, Academy of Motion Picture Arts and Siences, Hollywood CA 2007. ISBN 978-0-615-39095-2-3
  Web: www.oscars.org/science-technology/council/projects/digitaldilemma/
• Kevin Bradley (Ed.): Guidelines on the Production and Preservation of Digital Audio Objects, IASA, August 2004. ISBN 87-990309-1-8
• Charles Poynton: Digital Video and HDTV. Algorithms and Interfaces, Morgan Kaufmann Publishers, San Francisco CA 2003. ISBN 1-55860-792-7
• David S. Taubman, Michael W. Marcellin : JPEG2000. Image Compression Fundamentals, Standards and Practice, Kluwer Academic Publishers, Boston MA 2002. ISBN 978-0-7923-7519-7
• Roy S. Berns: Billmeyer and Saltzman’s Principles of Color Technology, 3rd Edition, Wiley, New York 2000. ISBN 0-471-19459-X
• Aude Humblet: L’étalonnage quel matériel, quel usage? Mode d’emploi en post production, AFC/CST, Paris 2000. ISBN 2-9515155-0-2; 2-9515156-0-X
• Charles Poynton: A Technical Introduction to Digital Video, John Wiley & Sons, New York NY 1996. ISBN 0-471-12253-X

Théorie

• Salvator Muñoz Viñas: Contemporary Theory of Conservation, Elsevier, Oxford 2005. ISBN 0-7506-6224-7
• Hans-Michael Bock, Wolfgang Jacobsen (Hrsg.): Recherche: Film. Quellen und Methoden der Filmforschung, Edition Text + Kritik, München 1997. ISBN 3-88377-550-9

2023-01-04